Ellen DeGeneres returns as the famously forgetful fish who sets off to find the family she forgot she had. “Finding Dory” (2016) What this follow-up lacks in The Feels, it more than makes up for with The Laughs and The Thrills. No shortage of jokes and excitement, and early screenings have seen crusty film critics openly weeping in their seats.ħ.
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Inside Out (2015) An 11-year-old girl’s brain becomes the backdrop for another hair-raising adventure, as her emotions fight to find balance during a rough patch in her life.
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Its characters became instant icons while its gleaming surfaces changed animation more than any other single movie since “Snow White and the Seven Dwarfs.”Īlso Read: Pixar's 'The Good Dinosaur' Gets First Trailer, Poster (Video)Ħ. Toy Story (1995) The one that started it all and kick-started a whole new way of making cartoons. This parable about the push and pull of parent-child dependency offers some of Pixar’s finest blending of adventure and comedy.ĥ. Finding Nemo (2003) Albert Brooks and Ellen DeGeneres have the precision timing of a vaudeville comedy duo as two tiny fish who brave the big, wide ocean to rescue a missing youngster. And that a Sarah McLachlan song about a doll who misses being cared for by her owner can reduce grown men to sobbing.Ĥ. Toy Story 2 (1999) Wherein we learn that toys need to be taken out of their mint packaging and loved if they’re to be truly happy. Brad Bird‘s attention to character detail and freedom with gravity would serve him well later as the director of the live-action film “Mission: Impossible – Ghost Protocol.”ģ. The Incredibles (2004) Probably the greatest superhero movie ever made that’s not based on pre-existing characters from another medium, and better than almost every other superhero movie, period. An exciting and funny meditation on death and growing up and I’m going to need a handkerchief now.Īlso Read: 'Inside Out' Review: In Pixar's Latest, Emotions Run the ShowĢ. Toy Story 3 (2010) Andy goes off to college and must leave childhood, and its playthings, behind. With the studio’s 16th feature, “The Good Dinosaur,” opening in theaters this week, TheWrap’s film critic Alonso Duralde stacks Pixar’s offerings from favorite to least.ġ. One person prefers “Help!” to “A Day in the Life,” or a dark chocolate truffle to a raspberry nougat, and who’s to say who’s right? Ranking Pixar movies is like picking your favorite Beatles song or Godiva chocolate flavor.
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